Top Twelve Books On My To-Be-Read List With ‘Girl’ In The Title

Top Ten Tuesday is a regular feature on Pop! Goes The Reader in which I count down my top ten choices on a particular theme. This weekly event is hosted by Jana at That Artsy Reader Girl.

This week’s Top Ten Tuesday topic is: Top Twelve Books On My To-Be-Read List With ‘Girl’ In The Title.

As someone with over 250+ unread books tucked carefully away in every available nook and cranny on her house, I was really excited when I saw the prompt for this week’s Top Ten Tuesday – “Frequently Used Words In [Insert Genre/Age Group] Titles“! While it’s an immense pleasure and privilege to have so many unread stories still waiting to be read, it can also be a little overwhelming. One of the downsides of book blogging is that it can often emphasize the idea of the “next big thing”. In our eagerness to talk about what’s being published next, it’s all too easy to lose sight of books we purchased or have been sent but haven’t yet had an opportunity to read. It was so much fun to ‘shop my shelves’ today and re-discover that books that once captured my interest and that I’m still really excited to read!

Today’s selection of books have been listed in no particular order.

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Northern California, during the violent end of the 1960s. At the start of summer, a lonely and thoughtful teenager, Evie Boyd, sees a group of girls in the park, and is immediately caught by their freedom, their careless dress, their dangerous aura of abandon. Soon, Evie is in thrall to Suzanne, a mesmerizing older girl, and is drawn into the circle of a soon-to-be infamous cult and the man who is its charismatic leader. Hidden in the hills, their sprawling ranch is eerie and run down, but to Evie, it is exotic, thrilling, charged — a place where she feels desperate to be accepted. As she spends more time away from her mother and the rhythms of her daily life, and as her obsession with Suzanne intensifies, Evie does not realize she is coming closer and closer to unthinkable violence, and to that moment in a girl’s life when everything can go horribly wrong.

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On Halloween, 1991, a popular high school basketball star ventures into the woods near Battle Creek, Pennsylvania, and disappears. Three days later, he’s found with a bullet in his head and a gun in his hand — a discovery that sends tremors through this conservative community, already unnerved by growing rumors of Satanic worship in the region.

In the wake of this incident, bright but lonely Hannah Dexter is befriended by Lacey Champlain, a dark-eyed, Cobain-worshiping bad influence in lip gloss and Doc Martens. The charismatic, seductive Lacey forges a fast, intimate bond with the impressionable Dex, making her over in her own image and unleashing a fierce defiance that neither girl expected. But as Lacey gradually lures Dex away from her safe life into a feverish spiral of obsession, rebellion, and ever greater risk, an unwelcome figure appears on the horizon — and Lacey’s secret history collides with Dex’s worst nightmare.

By turns a shocking story of love and violence and an addictive portrait of the intoxication of female friendship, set against the unsettled backdrop of a town gripped by moral panic, Girls on Fire is an unflinching and unforgettable snapshot of girlhood: girls lost and found, girls strong and weak, girls who burn bright and brighter — and some who flicker away.

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Junior Nattie McCullough has always been that under-the-radar straight girl who hangs out in the cafeteria with her gay-straight alliance friends. She’s never been the girl that gets the guy, let alone the girl that gets a hit song named after her.

But when last summer’s crush, smoking-hot musician Sebastian Delacroix — who has recently hit the mainstream big-time — returns home to play a local show, that’s just what she gets. He and his band, the Young Lungs, have written a chart-topping single — “Natalie” — which instantly makes Nattie second guess everything she thought about their awkward non-kiss at that June pool party. That it was horrific. That it meant nothing. That Sebastian never gave her another thought.

To help keep her mind off of Sebastian and his maybe-about-her, maybe-not-about-her song, Nattie throws herself into planning the school’s LGBTQIA dance. That proves problematic, too, when Nattie begins to develop feelings for her good friend Zach. With the song getting major airplay and her once-normal life starting to resemble the cover of a gossip magazine, Nattie is determined to figure out once and for all if her brief moment with Sebastian was the stuff love songs are made of — or just a one-hit wonder.

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An account executive in a Mad Men world, Anna Wyatt is at a crossroads. Recently divorced, she’s done a lot of emotional housecleaning, including a self-imposed dating sabbatical. But now that she’s turned forty, she’s struggling to figure out what her life needs. Brainstorming to win over an important new client, she discovers a self-help book — Be the Heroine, Find Your Hero — that offers her unexpected insights and leads her to a most unlikely place: a romance writers’ conference. If she can sign the Romance Cover Model of the Year Pageant winner for her campaign — and meet the author who has inspired her to take control of her life — she’ll win the account.

For Anna, taking control means taking chances, including getting to know Sasha, her pretty young colleague on the project, and indulging in a steamy elevator ride with Lincoln Mallory, a dashing financial consultant she meets in the hotel. When the conference ends, Anna and Lincoln must decide if their intense connection is strong enough to survive outside the romantic fantasy they’ve created. Yet Lincoln is only one of Anna’s dilemmas. Now that her campaign is off the ground, others in the office want to steal her success, and her alcoholic brother, Ferdie, is spiraling out of control.

To have the life she wants — to be happy without guilt, to be accepted for herself, to love and to be loved, to just be — she has to put herself first, accept her imperfections, embrace her passions, and finally be the heroine of her own story.

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Sixteen-year-old Zarin Wadia is many things: a bright and vivacious student, an orphan, a risk taker. She’s also the kind of girl that parents warn their kids to stay away from: a troublemaker whose many romances are the subject of endless gossip at school. You don’t want to get involved with a girl like that, they say. So how is it that eighteen-year-old Porus Dumasia has only ever had eyes for her? And how did Zarin and Porus end up dead in a car together, crashed on the side of a highway in Jeddah, Saudi Arabia? When the religious police arrive on the scene, everything everyone thought they knew about Zarin is questioned. And as her story is pieced together, told through multiple perspectives, it becomes clear that she was far more than just a girl like that.

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Things to know about Riley Stone:

Riley Stone is just about perfect. (Ask anyone.)
She has a crush on her French teacher, Alex Belrose. (And she suspects he likes her, too.)
Riley has her entire life planned out. (The plan is nonnegotiable.)
She’s never had a secret she couldn’t keep. (Not ever.)
Riley is sure that her life is on the right track. (And nothing will change that.)
She’s nothing like a regular teenager. (But she doesn’t have any problem admitting that.)
Riley doesn’t usually play games. (But when she does, she always wins.)

She thinks a game is about to start…
But Riley always has a plan…
And she always wins.

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Seventeen-year-old Serendipity “Pity” Jones inherited two things from her mother: a pair of six shooters and perfect aim. She’s been offered a life of fame and fortune in Cessation, a glittering city where lawlessness is a way of life. But the price she pays for her freedom may be too great…

In this extraordinary debut from Lyndsay Ely, the West is once again wild after a Second Civil War fractures the U.S. into a broken, dangerous land. Pity’s struggle against the dark and twisted underbelly of a corrupt city will haunt you long after the final bullet is shot.

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She kissed the groom. She’s not the bride…

Edie thought she’d found The One…until he told her he was marrying someone else. And on the day of his wedding, when he kisses her, life really does go pear-shaped…

Labelled as a home-wrecker and office outcast, when her boss offers her the chance to get out of town Edie jumps at it, even though moving back in with her eccentric father and prickly sister isn’t exactly the escape she needs.

When her work throws her into the path of rising star and heartthrob Elliot, Edie is expecting a highly strung diva. But as their unexpected friendship develops, Elliot isn’t the only one in the spotlight…

Who’s that girl? Edie is ready to find out.

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On February 25 , 1956, twenty-three-year-old Sylvia Plath walked into a party and immediately spotted Ted Hughes. This encounter — now one of the most famous in all of literary history — was recorded by Plath in her journal, where she described Hughes as a “big, dark, hunky boy.” Sylvia viewed Ted as something of a colossus, and to this day his enormous shadow has obscured her life and work. The sensational aspects of the Plath-Hughes relationship have dominated the cultural landscape to such an extent that their story has taken on the resonance of a modern myth.

Before she met Ted, Plath had lived a complex, creative, and disturbing life. Her father had died when she was only eight; she had gone out with literally hundreds of men, had been unofficially engaged, had tried to commit suicide, and had written more than two hundred poems. Mad Girl’s Love Song chronicles these early years, traces the sources of her mental instability, and examines how a range of personal, economic, and societal factors — the real disquieting muses — conspired against her.

Drawing on exclusive interviews with friends and lovers who have never spoken openly about Plath before and using previously unavailable archives and papers, this is the first book to focus on the early life of the twentieth century’s most popular and enduring female poet. Mad Girl’s Love Song reclaims Sylvia Plath from the tangle of emotions associated with her relationship with Ted Hughes and reveals the origins of her unsettled and unsettling voice.

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Set in 1960’s London, Funny Girl is a lively account of the adventures of the intrepid young Sophie Straw as she navigates her transformation from provincial ingénue to television starlet amid a constellation of delightful characters. Insightful and humorous, Nick Hornby’s latest does what he does best: endears us to a cast of characters who are funny if flawed, and forces us to examine ourselves in the process.

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In the roiling summer of 1977, eleven-year-old Mira is an aspiring ballerina in the romantic, highly competitive world of New York City ballet. Enduring the mess of her parent’s divorce, she finds escape in dance — the rigorous hours of practice, the exquisite beauty, the precision of movement, the obsessive perfectionism. Ballet offers her control, power, and the promise of glory. It also introduces her to forty-seven-year-old Maurice DuPont, a reclusive, charismatic balletomane who becomes her mentor.

Over the course of three years, Mira is accepted into the prestigious School of American Ballet run by the legendary George Balanchine, and eventually becomes one of “Mr. B’s girls” — a dancer of rare talent chosen for greatness. As she ascends higher in the ballet world, her relationship with Maurice intensifies, touching dark places within herself and sparking unexpected desires that will upend both their lives.

In the present day, Kate, a professor of dance at a Midwestern college, embarks on a risky affair with a student that threatens to obliterate her career and capsizes the new life she has painstakingly created for her reinvented self. When she receives a letter from a man she’s long thought dead, Kate is hurled back into the dramas of a past she thought she had left behind.

Told in interweaving narratives that move between past and present, Girl Through Glass illuminates the costs of ambition, secrets, and the desire for beauty, and reveals how the sacrifices we make for an ideal can destroy — or save — us.

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Mercedes Moreno is an artist. At least, she thinks she could be, even though she hasn’t been able to paint anything worthwhile in the past year.

Her lack of inspiration might be because her abuela is in a coma. Or the fact that Mercedes is in love with her best friend, Victoria, but is too afraid to admit her true feelings.

Despite Mercedes’s creative block, art starts to show up in unexpected ways. A piano appears on her front lawn one morning, and a mysterious new neighbor invites Mercedes to paint with her at the Red Mangrove Estate.

At the Estate, Mercedes can create in ways she hasn’t ever before. But Mercedes can’t take anything out of the Estate, including her new-found clarity. Mercedes can’t live both lives forever, and ultimately she must choose between this perfect world of art and truth and a much messier reality.